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Patricia was about to speak, but there was a general stir and a voice cried, authoritatively: First I went to see Madam Courtier for corsets. I had heard about her, and I knew it meant a fortune. But that didn't matter! She came in and looked at me for about five minutes without saying a word, and then she ran her hands down and down over me until I could feel the superfluous flesh just walking off of me. It was delicious! But on the way home I gave myself the surprise of my life! Suddenly I turned my face against his sleeve and cried as I never had before. I felt safe, for it is a steep road, and he had to drive carefully. However, he managed to press that one arm against my cheek in a way that comforted me into stopping when I saw we were near town. I got out of the car at the garage and walked away through the garden home, without looking in his direction at all. I never seem to be able to look at him as I do at other people. We hadn't spoken two words since we had left the little house in the woods with that happy-faced girl in it. He has more sense than just a man..

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But while Dido goes on her dark path and takes her way toward Etwald in his gloomy house at Deanminster, it is necessary to return to the doings of Major Jen. On leaving The Wigwam he returned forthwith to his own house with the intention of repeating to David the conversation which had taken place between himself. Dido and Isabella. On his arrival, however, he learned that David had gone out for a walk, and that Lady Meg Brance was waiting for him in the library. At once the ever-courteous major hastened to apologize to his visitor. Patricia shook her head. "She's with Griffin and Bottle Green," she answered under her breath. "What do you want her for?" "What!" cried Jen, interrupting sharply. "Did Dr. Etwald know about it also?" So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic..